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	<title>楷書四大家 - 野夫書法</title>
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		<title>野夫書法臨寫作品-九成宮醴泉銘-楷書</title>
		<link>https://calligraphy.tw/%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e8%87%a8%e5%af%ab%e4%bd%9c%e5%93%81-%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98-%e6%a5%b7%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e9%2587%258e%25e5%25a4%25ab%25e6%259b%25b8%25e6%25b3%2595%25e8%2587%25a8%25e5%25af%25ab%25e4%25bd%259c%25e5%2593%2581-%25e4%25b9%259d%25e6%2588%2590%25e5%25ae%25ae%25e9%2586%25b4%25e6%25b3%2589%25e9%258a%2598-%25e6%25a5%25b7%25e6%259b%25b8</link>
		
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		<pubDate>Mon, 14 Mar 2022 01:22:00 +0000</pubDate>
				<category><![CDATA[書法]]></category>
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		<category><![CDATA[唐]]></category>
		<category><![CDATA[楷書]]></category>
		<category><![CDATA[楷書四大家]]></category>
		<category><![CDATA[歐陽詢]]></category>
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					<description><![CDATA[<p>野夫書法臨寫作品-九成宮醴泉銘-楷書，九成宮醴泉銘是唐宰相魏徵所撰，由歐陽詢書寫，被譽為「天下第一銘」，唐代大書法家歐陽詢後世推崇的楷書代表作之一，九成宮醴泉銘碑為楷書字體。歐陽詢唐代書法家，是「楷書四大家」中之一，書法史上以楷書著稱「楷書四大家」為唐朝歐陽詢（歐體）、唐朝顏真卿（顏體）、唐朝柳公權（柳體）、元朝趙孟頫（趙體）。</p>
<p>The post <a href="https://calligraphy.tw/%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e8%87%a8%e5%af%ab%e4%bd%9c%e5%93%81-%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98-%e6%a5%b7%e6%9b%b8/">野夫書法臨寫作品-九成宮醴泉銘-楷書</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
										<content:encoded><![CDATA[<h2 class="wp-block-heading">歐陽詢《九成宮醴泉銘》介紹</h2>



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<p class="has-medium-font-size"><strong>九成宮醴泉銘</strong>是唐宰相魏徵所撰，由<strong><span style="text-decoration: underline;">歐陽詢</span></strong>書寫，被譽為「天下第一銘」，唐代大書法家<strong><span style="text-decoration: underline;">歐陽詢</span></strong>後世推崇的<strong>楷書</strong>代表作之一，<strong><span style="text-decoration: underline;">九成宮醴泉銘碑</span></strong>為<strong>楷書</strong>字體，全碑共24行，每行50個字，碑身與碑首相連一體，碑首刻有六條纏繞的螭龍，碑額為篆書，分兩行題寫「九成宮醴泉銘」六個字。主要內容簡介為唐貞觀五年（631年），唐太宗李世民命令修復隋文帝之仁壽宮，後改名為九成宮。第二年，太宗帝避暑來到九成宮，在遊覽宮中台觀時，偶然發現有一清泉。太宗帝萬分欣喜，便令魏徵撰文、<span style="text-decoration: underline;"><strong>歐陽詢</strong></span>書寫而立一石碑。</p>



<p class="has-medium-font-size"><span style="text-decoration: underline;"><strong>歐陽詢</strong></span>（557年－641年），字信本，潭州臨湘縣（今湖南省長沙市）人。<span style="text-decoration: underline;">隋</span>末<span style="text-decoration: underline;">唐</span>初官員，<strong><span style="text-decoration: underline;">唐代</span>書法家</strong>，與<span style="text-decoration: underline;">虞世南</span>、<strong><a href="http://calligraphy.tw/tag/褚遂良/">褚遂</a></strong><span style="text-decoration: underline;"><a href="http://calligraphy.tw/tag/褚遂良/"><strong>良</strong></a></span>、<span style="text-decoration: underline;">薛稷</span>並稱為「<strong>唐初四大書家</strong>」，<strong>書法</strong>成就以<strong>楷書</strong>為最楷書，八法皆通，也是「<strong>楷書四大家</strong>」中之一，書法史上以<strong>楷書</strong>著稱「楷書四大家」為唐朝<strong><span style="text-decoration: underline;">歐陽詢</span></strong>（歐體）、唐朝<strong><span style="text-decoration: underline;"><a href="https://calligraphy.tw/tag/%e9%a1%8f%e7%9c%9f%e5%8d%bf/">顏真卿</a></span></strong>（顏體）、唐朝<strong><span style="text-decoration: underline;"><a href="http://calligraphy.tw/tag/柳公權/">柳公權</a></span></strong>（柳體）、元朝<span style="text-decoration: underline;"><strong><a href="https://calligraphy.tw/tag/趙孟頫/">趙孟頫</a></strong></span>（趙體）。</p>
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<figure class="wp-block-image size-large is-resized"><img decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/9/96/%E4%B9%9D%E6%88%90%E5%AE%AB%E9%86%B4%E6%B3%89%E9%93%AD%E7%9F%B3%E7%A2%91.jpg" alt="九成宮醴泉銘碑/圖源:維基百科，自由的百科全書" width="274" height="800"/><figcaption><a href="https://zh.wikipedia.org/wiki/%E4%B9%9D%E6%88%90%E5%AE%AB%E9%86%B4%E6%B3%89%E9%93%AD#/media/File:%E4%B9%9D%E6%88%90%E5%AE%AB%E9%86%B4%E6%B3%89%E9%93%AD%E7%9F%B3%E7%A2%91.jpg">九成宮醴泉銘碑/圖源:維基百科，自由的百科全書</a></figcaption></figure>
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<h5 class="has-text-align-left wp-block-heading"> <a href="https://digitalarchive.npm.gov.tw/Painting/Content?pid=27402&amp;Dept=P"> </a><a href="https://painting.npm.gov.tw/Painting_Page.aspx?dep=P&amp;PaintingId=24521">國立故宮博物院資料/唐歐陽詢九成宮醴泉銘墨拓本　冊</a></h5>



<pre class="wp-block-preformatted">藏品類型 	書法,法帖,墨拓
作品號 	贈-拓-000362-00000
品名 	唐歐陽詢九成宮醴泉銘墨拓本　冊
作者 	歐陽詢
書體 	楷書
色彩 	
裝裱形式 	冊(摺裝)
創作時間 	
數量 	一冊：二十一開（本幅二十一開四十一幅）
作品語文 	漢文
集叢號 	件：   開：   幅： 單件</pre>



<p>圖源資料 <a href="https://digitalarchive.npm.gov.tw/Painting/Content?pid=21300&amp;Dept=P#"> </a><a href="https://painting.npm.gov.tw/Painting_Page.aspx?dep=P&amp;PaintingId=28133"> </a><a href="https://painting.npm.gov.tw/Painting_Page.aspx?dep=P&amp;PaintingId=24521"> <a href="https://painting.npm.gov.tw/Painting_Page.aspx?dep=P&amp;PaintingId=24521">國立故宮博物院資料/唐歐陽詢九成宮醴泉銘墨拓本　冊</a> </a></p>



<p> —版權聲明—<br>國立故宮博物院開放資料/介紹內文為網路彙整開放資料<br>版權歸原創者所有，若侵權請聯繫後台刪除</p>
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<h3 class="has-text-align-center wp-block-heading">  歐陽詢《九成宮醴泉銘》</h3>



<p>九成宮醴泉銘。祕書監。檢校侍中。鉅鹿郡公。臣魏徵奉?撰。維貞觀六年孟夏之月。皇帝避暑乎九成之宮。此則随之仁壽宮也。冠山抗殿。絶壑為池。跨水架楹。分巗竦闕。高閣周建。長廊□（四）起。棟宇膠葛。臺榭參差。仰視則??百尋。下臨則崢嶸千仞。珠璧交暎。金碧相暉。照灼雲霞。蔽虧日月。觀其移山廻澗。窮泰極侈。以人從欲。良足深尤。至於炎景流金。無欝蒸之氣。微風徐動。有淒清之涼。信安體之佳所。誠養神之勝地。漢之甘泉。不能尚也。皇帝爰在弱冠。經營四方。逮乎立年。撫臨億兆。始以武功壹海内。終以文德懷遠人。東越青丘。南踰丹儌。皆獻琛奉贄。重譯来王。西暨輪臺。北拒玄闕。並地列州縣。人充編戶。氣淑年和。迩安遠肅。群生咸遂。靈貺畢臻。雖藉二儀之功。終資一人之慮。遺身利物。櫛風沐雨。百姓為心。憂勞成疾。同堯肌之如腊。甚禹足之胼胝。針石屢加。腠理猶滯。爰居京室。每弊炎暑。群下請建離宮。庶可怡神養性。聖上愛一夫之力。惜十家之產。深閇固拒。未肻俯從。以為随氏舊宮。營於曩代。棄之則可惜。毁之則重勞。事貴因循。何必改作。於是斲彫為檏。損之又損。去其泰甚。葺其頺壞。雜丹墀以沙礫。閒粉壁以塗泥。玉砌接於土階。茅茨續於瓊室。仰觀壯麗。可作鑒於既往。俯察卑儉。足垂訓於後昆。此所謂至人無為。大聖不作。彼竭其力。我享其功者也。然昔之池沼。咸引谷澗。宮城之内。本乏水源。求而無之。在乎一物。既非人力所致。聖心懷之不忘。粤以四月甲申?。旬有六月己亥。上及中宮。歷覽臺觀。閑步西城之隂。躊躇高閣之下。□（俯）察厥土。微覺有潤。因而以杖?之。有泉随而涌出。乃承以石檻。引為一渠。其淸若鏡。味甘如醴。南注丹霄之右。東流度於雙闕。貫穿靑瑣。縈帶紫房。激揚淸波。滌蕩瑕穢。可以?養正性。可以澂瑩心神。鑒暎群形。潤生萬物。同湛恩之不竭。將玄澤之常流。匪唯?象之精。盖亦坤靈之寳。謹案禮緯云。王者刑殺當罪。賞錫當功。得禮之宜。則醴泉出於闕庭。鶡冠子曰。聖人之德。上□（及）太清。下及太寧。中及萬靈。則醴泉出。瑞應圖曰。王者純和。飲食不貢獻。則醴泉出。飲之令人壽。東觀漢記曰。光武中元元年。醴泉出京師。飲之者痼疾皆愈。然則神物之来。寔扶眀聖。既可蠲兹沈痼。又將延彼遐齡。是以百辟卿士。相趍動色。我后固懷撝挹。推而弗有。雖休勿休。不徒聞於往昔。以祥為懼。實取驗於當今。斯乃上帝玄苻。天子令德。豈臣之末學。所能丕顯。但軄在記言。属兹書事。不可使國之盛美。有遺典筞。敢陳實錄。爰勒斯銘。其詞曰。惟皇撫運。奄壹寰宇。千載膺期。萬物斯覩。功高大舜。勤深伯禹。絶後□（光）前。登三邁五。握機蹈矩。乃聖乃神。武克禍亂。文懷遠人。書契未紀。開闢不臣。冠冕並?。琛贄咸陳。大道無名。上德不德。玄功潛運。幾深莫測。鑿井而飲。耕田而食。靡謝天功。安知帝力。上天之載。無臭無聲。萬類資始。品物流形。随感變質。應德效靈。介焉如響。赫赫眀眀。雜遝景福。葳蕤繁祉。雲氏龍官。龜圖鳳紀。日含五色。烏呈三趾。頌不輟工。筆無停史。上善降祥。上智斯悦。流謙潤下。潺湲皎潔。萍旨醴甘。冰凝鏡澈。用之日新。挹之無竭。道随時泰。慶與泉流。我后夕惕。雖休弗休。居崇茅宇。樂不般遊。黃屋非貴。天下為憂。人玩其華。我取其實。還淳反本。代文以質。居高思墜。持滿戒溢。念兹在兹。永保貞吉。兼太子率更令。渤海男。臣歐陽奉敕書。</p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-九成宮醴泉銘-楷書</h2>



<p>單層細緻宣紙/寬35cm*長68cm</p>


<div class="wp-block-post-date"><time datetime="2022-03-14T09:22:00+08:00">2022 年 3 月 14 日</time></div>


<figure class="wp-block-gallery columns-3 is-cropped wp-block-gallery-9 is-layout-flex"><ul class="blocks-gallery-grid"><li class="blocks-gallery-item"><figure><a href="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-1024x1024.jpg" alt="臨 歐陽詢《九成宮醴泉銘》" data-id="2981" data-full-url="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-scaled.jpg" data-link="https://calligraphy.tw/%e8%87%a8-%e6%ad%90%e9%99%bd%e8%a9%a2%e3%80%8a%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98%e3%80%8b02/" class="wp-image-2981" srcset="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》02-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a></figure></li><li class="blocks-gallery-item"><figure><a href="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-1024x1024.jpg" alt="臨 歐陽詢《九成宮醴泉銘》" data-id="2979" data-full-url="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-scaled.jpg" data-link="https://calligraphy.tw/%e8%87%a8-%e6%ad%90%e9%99%bd%e8%a9%a2%e3%80%8a%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98%e3%80%8b03/" class="wp-image-2979" srcset="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》03-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="blocks-gallery-item__caption">臨 歐陽詢《九成宮醴泉銘》</figcaption></figure></li><li class="blocks-gallery-item"><figure><a href="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-1024x1024.jpg" alt="臨 歐陽詢《九成宮醴泉銘》" data-id="2980" data-full-url="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-scaled.jpg" data-link="https://calligraphy.tw/%e8%87%a8-%e6%ad%90%e9%99%bd%e8%a9%a2%e3%80%8a%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98%e3%80%8b01/" class="wp-image-2980" srcset="https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2022/02/臨-歐陽詢《九成宮醴泉銘》01-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="blocks-gallery-item__caption">臨 歐陽詢《九成宮醴泉銘》</figcaption></figure></li></ul></figure>
</div>
</div><p>The post <a href="https://calligraphy.tw/%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e8%87%a8%e5%af%ab%e4%bd%9c%e5%93%81-%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98-%e6%a5%b7%e6%9b%b8/">野夫書法臨寫作品-九成宮醴泉銘-楷書</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2982</post-id>	</item>
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		<title>歐陽詢 卜商帖-野夫書法行書作品</title>
		<link>https://calligraphy.tw/%e5%8d%9c%e5%95%86%e5%b8%96-%e8%a1%8c%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e5%258d%259c%25e5%2595%2586%25e5%25b8%2596-%25e8%25a1%258c%25e6%259b%25b8</link>
		
		<dc:creator><![CDATA[beeway-administrator]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 01:00:00 +0000</pubDate>
				<category><![CDATA[書法]]></category>
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		<category><![CDATA[楷書四大家]]></category>
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					<description><![CDATA[<p>歐陽詢 卜商帖-野夫書法行書作品，卜商帖又稱《卜商讀書帖》是歐陽詢晚年的行書作品，卜商帖筆法多方折用筆挺勁飽滿，獨具一格。歐陽詢字信本，隋末唐初官員，唐代書法家，書法成就以楷書為最，楷書八法皆通，歐陽詢（歐體）與唐朝顏真卿（顏體）、唐朝柳公權（柳體）、元朝趙孟頫（趙體）合稱「楷書四大家」。</p>
<p>The post <a href="https://calligraphy.tw/%e5%8d%9c%e5%95%86%e5%b8%96-%e8%a1%8c%e6%9b%b8/">歐陽詢 卜商帖-野夫書法行書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">歐陽詢 卜商帖 介紹</h2>



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<p class="has-drop-cap has-medium-font-size" style="line-height:2"><strong>卜商帖</strong> 又稱《<strong>卜商讀書帖</strong>》，紙本，高25.2厘米，橫16.5厘米，行書六行，共五十三字，現藏北京故宮博物院，是 <strong><span style="text-decoration: underline;">歐陽詢</span></strong> 晚年的行書作品，《<strong>卜商帖</strong>》筆法多方折用筆挺勁飽滿，獨具一格，<span style="text-decoration: underline;"><strong><a href="https://calligraphy.tw/tag/%e5%ae%8b%e5%be%bd%e5%ae%97/">宋徽宗</a></strong></span>曾評價此帖：「晚年筆力益剛勁，有執法面折庭爭之風，孤峰崛起，四面削成，非虛譽也。」</p>



<p class="has-medium-font-size" style="line-height:2"><strong><a href="https://calligraphy.tw/tag/%e6%ad%90%e9%99%bd%e8%a9%a2/" target="_blank" rel="noopener" title="">歐陽詢</a></strong>（557年－641年），字信本，潭州臨湘縣（今湖南省長沙市）人。隋末唐初官員，<strong>唐代書法家</strong>，與虞世南、<strong><a href="http://calligraphy.tw/tag/褚遂良/">褚遂</a></strong><a href="http://calligraphy.tw/tag/褚遂良/"><strong>良</strong></a>、薛稷並稱為「<strong>唐初四大書家</strong>」，<strong>書法</strong>成就以<strong>楷書</strong>為最，歐陽詢的<strong>楷書</strong>有「楷書極則」之譽，也是「<strong>楷書四大家</strong>」中之一，「楷書四大家」為唐朝<strong><a href="http://calligraphy.tw/tag/歐陽詢/">歐陽詢</a></strong>（歐體）、唐朝<strong><a href="https://calligraphy.tw/tag/%e9%a1%8f%e7%9c%9f%e5%8d%bf/">顏真卿</a></strong>（顏體）、唐朝<strong><a href="http://calligraphy.tw/tag/柳公權/">柳公權</a></strong>（柳體）、元朝<strong><a href="https://calligraphy.tw/tag/趙孟頫/">趙孟頫</a></strong>（趙體）。作品有<a href="https://calligraphy.tw/%e4%bb%b2%e5%b0%bc%e5%a4%a2%e5%a5%a0%e5%b8%96-%e8%a1%8c%e6%9b%b8/" target="_blank" rel="noopener" title="">仲尼夢奠帖</a>、<a href="https://calligraphy.tw/%e5%8d%9c%e5%95%86%e5%b8%96-%e8%a1%8c%e6%9b%b8/" target="_blank" rel="noopener" title="">卜商帖</a>、歐書碑刻<a href="https://calligraphy.tw/%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e8%87%a8%e5%af%ab%e4%bd%9c%e5%93%81-%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98-%e6%a5%b7%e6%9b%b8/" target="_blank" rel="noopener" title="">九成宮醴泉銘</a>、化度寺塔銘等。</p>
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<h3 class="has-text-align-center wp-block-heading">  歐陽詢《<strong>卜商帖</strong>》</h3>



<p>「卜商讀書畢，見孔子。孔子問焉，何為於書。商曰，書之論事，昭昭如日月之代明，離離如參辰之錯行，商所受於夫子者，志之於心，弗敢忘也」可熟念。善惡報應，如影隨形，必不差二。</p>



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<figure class="wp-block-image size-large"><a href="https://digitalarchive.npm.gov.tw/Painting/Content?pid=22610&amp;Dept=P"><img decoding="async" src="https://digitalarchive.npm.gov.tw/Image/Stream?ImageId=456498&amp;code=43377950244&amp;maxW=600&amp;maxH=600" alt=""/></a></figure>
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<h4 class="wp-block-heading"><strong><a href="https://digitalarchive.npm.gov.tw/Painting/Content?pid=22610&amp;Dept=P" target="_blank" rel="noopener" title="">清三希堂法帖（三）　冊　唐歐陽詢卜商帖</a></strong></h4>



<figure class="wp-block-table"><table><tbody><tr><td>藏品類型</td><td>書法,法帖,墨拓</td></tr><tr><td>文物統一編號</td><td>贈帖000080N000000005</td></tr></tbody></table></figure>



<figure class="wp-block-table"><table><tbody><tr><td>作品號</td><td>贈帖00008000003</td></tr><tr><td>品名</td><td>清三希堂法帖（三）　冊　唐歐陽詢卜商帖</td></tr><tr><td>分類</td><td>法帖</td></tr><tr><td>作者</td><td>歐陽詢</td></tr><tr><td>書體</td><td>行書</td></tr><tr><td>數量</td><td>一幅</td></tr><tr><td>作品語文</td><td>漢文</td></tr></tbody></table><figcaption class="wp-element-caption">故宮數位典藏資料</figcaption></figure>
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<p> —版權聲明—<br>介紹內文為彙整網路開放資料<br>版權歸原創者所有，若侵權請聯繫後台刪除 </p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-卜商帖-行書</h2>



<p>單層細緻宣紙/寬35cm*長68cm</p>


<div class="wp-block-post-date"><time datetime="2021-10-08T09:00:00+08:00">2021 年 10 月 8 日</time></div>


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<figure class="wp-block-image size-large"><a href="https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-1024x1024.jpg" alt="野夫書法臨寫作品-卜商帖" class="wp-image-2420" srcset="https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2021/09/卜商帖-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">野夫書法臨寫作品-卜商帖</figcaption></figure>
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</div><p>The post <a href="https://calligraphy.tw/%e5%8d%9c%e5%95%86%e5%b8%96-%e8%a1%8c%e6%9b%b8/">歐陽詢 卜商帖-野夫書法行書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2416</post-id>	</item>
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		<title>柳公權 玄秘塔碑-野夫書法楷書作品</title>
		<link>https://calligraphy.tw/%e7%8e%84%e7%a7%98%e5%a1%94%e7%a2%91-%e6%a5%b7%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e7%258e%2584%25e7%25a7%2598%25e5%25a1%2594%25e7%25a2%2591-%25e6%25a5%25b7%25e6%259b%25b8</link>
		
		<dc:creator><![CDATA[beeway-administrator]]></dc:creator>
		<pubDate>Wed, 06 Oct 2021 01:06:00 +0000</pubDate>
				<category><![CDATA[書法]]></category>
		<category><![CDATA[楷書]]></category>
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		<guid isPermaLink="false">https://calligraphy.tw/?p=2405</guid>

					<description><![CDATA[<p>柳公權 玄秘塔碑-野夫書法楷書作品，玄秘塔碑是唐會昌元年 由時任宰相的裴休撰文，書法家柳公權書丹而成，是柳公權晚年時所書，為楷書書法作品，柳體初學書法者的很好範本。柳公權字誠懸，唐朝官員、大書法家。書法史上以楷書著稱「楷書四大家」為唐朝歐陽詢（歐體）、唐朝顏真卿（顏體）、唐朝柳公權（柳體）、元朝趙孟頫（趙體）。</p>
<p>The post <a href="https://calligraphy.tw/%e7%8e%84%e7%a7%98%e5%a1%94%e7%a2%91-%e6%a5%b7%e6%9b%b8/">柳公權 玄秘塔碑-野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">柳公權 玄秘塔碑 介紹</h2>



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<p class="has-drop-cap has-medium-font-size" style="line-height:2"><strong>玄秘塔碑</strong> 全稱《唐故左街僧錄內供奉三教談論引駕大德安國寺上座賜紫大達法師玄秘塔碑銘並序》，共28行，每行54字，是唐會昌元年 （841年）由時任宰相的<span style="text-decoration: underline;">裴休</span>撰文，<strong>書法家-<span style="text-decoration: underline;">柳公權</span></strong> 書丹而成，是<strong><span style="text-decoration: underline;">柳公權</span></strong>晚年時所書，為<strong>楷書</strong>書法作品，現今保存於中國西安碑林第二室。《玄秘塔碑》挺勁俐落，剛健峻拔，<strong>柳體</strong>初學<strong>書法</strong>者的很好範本。</p>



<p class="has-medium-font-size" style="line-height:2"><strong>柳公權</strong>（778年－865年），字誠懸，京兆府華原縣（今陝西省耀縣）人，祖籍河東郡解縣（今山西省運城市臨猗縣），<strong>唐朝</strong>官員，大<strong>書法</strong>家。後世以「<strong>顏柳</strong>」並稱，成為歷代<strong>書法</strong>楷模，有「顏筋柳骨」之說，是「<strong>楷書四大家</strong>」中之一， 書法史上以<strong>楷書</strong>著稱「楷書四大家」為唐朝<strong><span style="text-decoration: underline;"><a href="http://calligraphy.tw/tag/歐陽詢/">歐陽詢</a></span></strong>（歐體）、唐朝<strong><span style="text-decoration: underline;"><a href="https://calligraphy.tw/tag/%e9%a1%8f%e7%9c%9f%e5%8d%bf/">顏真卿</a></span></strong>（顏體）、唐朝<strong><span style="text-decoration: underline;"><a href="http://calligraphy.tw/tag/柳公權/">柳公權</a></span></strong>（柳體）、元朝<span style="text-decoration: underline;"><strong><a href="https://calligraphy.tw/tag/趙孟頫/">趙孟頫</a></strong></span>（趙體）。<strong>柳公權</strong>大多數作品已經散佚， 作品有碑版《<a href="https://calligraphy.tw/%E7%8E%84%E7%A7%98%E5%A1%94%E7%A2%91-%E6%A5%B7%E6%9B%B8" target="_blank" rel="noopener" title="">玄秘塔碑</a>》、碑版《神策軍碑》、《〈送梨帖〉跋》等。</p>
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<h3 class="has-text-align-center wp-block-heading">   柳公權 玄秘塔碑  </h3>



<p>唐故左街僧錄、內供奉、三教談論引駕大德、安國寺上座、賜紫、大達法師玄秘塔碑銘並序江南西道都團練觀察處置等使、朝散大夫兼御史中丞、上柱國、賜紫、金魚袋、裴休撰諫議大夫、守右散騎常侍、充集賢殿學士兼判院事、上柱國、賜紫、金魚袋、柳公權書並撰額玄秘塔者，大法師端甫靈骨之所歸也。<br>於戲！為丈夫者，在家則張仁義禮樂，輔天子以扶世導俗；出家則運慈悲定慧，佐如來以闡教利生。舍此，無以為丈夫也。背此，無以為達道也。和尚，其出家之雄乎！<br>天水趙氏世為秦人，初母張夫人夢梵僧謂曰：當生貴子。即出囊中舍利使吞之。及誕，所夢僧白晝入其室。摩其頂曰：必當大弘法教。言訖而滅。<br>既成人，高顙深目，大頤方口，長六尺五寸，其音如鍾。夫將欲荷如來之菩提，鑿生靈之耳目，固必有殊祥奇表與？<br>始十歲，依崇福寺道悟禪師為沙彌。十七，正度為比丘，隸 安國寺。具威儀於西明寺照律師，稟持犯於崇福寺升律師，傳唯識大義於安國寺素法師。通涅槃大旨於福林寺，崟法師復夢梵僧以舍利滿琉璃器，使吞之且曰：三藏大教盡貯汝腹矣。自是經律汝論無敵於天下。囊括川注，逢源會委，滔滔然莫能濟其畔岸矣。夫將欲伐株杌於情田，雨甘露於法種者，固必有勇智宏辨與？<br>無何謁文殊於清涼，眾聖皆現；演大經於太原，傾都畢會。<br>德宗皇帝聞其名徵之，一見大悅。常出入禁中與儒道議論。賜紫方袍。歲時錫施，異於他等。復詔侍皇太子於東朝。<br>順宗皇帝深仰其風。親之若昆弟。相與臥起。恩禮特隆。<br>憲宗皇帝數幸其寺。待之若賓友。常承顧問。注納偏厚。<br>而和尚符彩超邁，詞理響捷，迎合上旨，皆契真乘。雖造次應對，未嘗不以闡揚為務。繇是，天子益知佛為大聖人，其教有大不思議事。當是時朝廷方削平區夏，縛吳干蜀，瀦蔡盪鄆，而天子端拱無事。詔和尚率緇屬迎真骨於靈山，開法場於秘殿。為人請福，親奉香燈。<br>既而刑不殘兵不黷，赤子無愁聲，滄海無驚浪。蓋參用真宗以毘大政之明效也。<br>夫將欲顯大不思議之道，輔大有為之君，固必有冥符玄契與？<br>掌內殿法儀，錄左街僧事，以標表淨眾者凡一十年。講涅盤唯識經論，處當仁傳授宗王以開誘道俗者，凡一百六十座。運三密於瑜伽，契無生於悉地。日持諸部十餘萬遍。指淨土為息肩之地，嚴金經為報法之恩。前後供施數十百萬，悉以崇飾殿宇，窮極雕繪。而方丈匡床靜慮自得。貴臣依慕豪族皆所，俠工賈莫不瞻向。薦金寶以致誠，仰端嚴而禮足，日有千數，不可殫書。而和尚即眾生…</p>
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<p> —版權聲明—<br>介紹內文為彙整網路開放資料<br>版權歸原創者所有，若侵權請聯繫後台刪除 </p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-玄秘塔碑-楷書</h2>



<p>宣紙/寬35cm*長140cm</p>


<div class="wp-block-post-date"><time datetime="2021-10-06T09:06:00+08:00">2021 年 10 月 6 日</time></div>


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</div><p>The post <a href="https://calligraphy.tw/%e7%8e%84%e7%a7%98%e5%a1%94%e7%a2%91-%e6%a5%b7%e6%9b%b8/">柳公權 玄秘塔碑-野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
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		<title>歐陽詢 仲尼夢奠帖-野夫書法行書作品</title>
		<link>https://calligraphy.tw/%e4%bb%b2%e5%b0%bc%e5%a4%a2%e5%a5%a0%e5%b8%96-%e8%a1%8c%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e4%25bb%25b2%25e5%25b0%25bc%25e5%25a4%25a2%25e5%25a5%25a0%25e5%25b8%2596-%25e8%25a1%258c%25e6%259b%25b8</link>
		
		<dc:creator><![CDATA[beeway-administrator]]></dc:creator>
		<pubDate>Mon, 04 Oct 2021 01:26:00 +0000</pubDate>
				<category><![CDATA[書法]]></category>
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		<category><![CDATA[楷書四大家]]></category>
		<category><![CDATA[歐陽詢]]></category>
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					<description><![CDATA[<p>歐陽詢 仲尼夢奠帖-野夫書法行書作品，夢奠帖為中華十大傳世名帖之一，全名仲尼夢奠帖，是唐著名書法家歐陽詢行書墨跡。歐陽詢字信本，隋末唐初官員，唐代書法家，書法成就以楷書為最，也是「楷書四大家」中之一，書法史上以楷書著稱「楷書四大家」為唐朝歐陽詢（歐體）、唐朝顏真卿（顏體）、唐朝柳公權（柳體）、元朝趙孟頫（趙體）。</p>
<p>The post <a href="https://calligraphy.tw/%e4%bb%b2%e5%b0%bc%e5%a4%a2%e5%a5%a0%e5%b8%96-%e8%a1%8c%e6%9b%b8/">歐陽詢 仲尼夢奠帖-野夫書法行書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">歐陽詢 仲尼夢奠帖 介紹</h2>



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<p class="has-drop-cap has-medium-font-size" style="line-height:2"><strong>夢奠帖</strong> 為中華十大傳世名帖之一，全名<strong><span style="text-decoration: underline;">仲尼夢奠帖</span></strong>，是<strong>唐</strong>著名書法家-<strong><span style="text-decoration: underline;">歐陽詢</span></strong> 行書墨跡，紙本，縱25.5cm ，橫33.6cm，九行，行九字，共七十八字，現藏於中國遼寧省博物館。<strong><span style="text-decoration: underline;">仲尼夢奠帖</span></strong>文字敘孔子夢奠之事， 有佛教無常、報應之意，應為<strong><span style="text-decoration: underline;">歐陽詢</span></strong>晚年所書。</p>



<p class="has-medium-font-size" style="line-height:2"><strong><a href="https://calligraphy.tw/tag/%e6%ad%90%e9%99%bd%e8%a9%a2/" target="_blank" rel="noopener" title="">歐陽詢</a></strong>（557年－641年），字信本，潭州臨湘縣（今湖南省長沙市）人。隋末唐初官員，<strong>唐代書法家</strong>，與虞世南、<strong><a href="http://calligraphy.tw/tag/褚遂良/">褚遂</a></strong><a href="http://calligraphy.tw/tag/褚遂良/"><strong>良</strong></a>、薛稷並稱為「<strong>唐初四大書家</strong>」，<strong>書法</strong>成就以<strong>楷書</strong>為最，歐陽詢的<strong>楷書</strong>有「楷書極則」之譽，也是「<strong>楷書四大家</strong>」中之一，「楷書四大家」為唐朝<strong><a href="http://calligraphy.tw/tag/歐陽詢/">歐陽詢</a></strong>（歐體）、唐朝<strong><a href="https://calligraphy.tw/tag/%e9%a1%8f%e7%9c%9f%e5%8d%bf/">顏真卿</a></strong>（顏體）、唐朝<strong><a href="http://calligraphy.tw/tag/柳公權/">柳公權</a></strong>（柳體）、元朝<strong><a href="https://calligraphy.tw/tag/趙孟頫/">趙孟頫</a></strong>（趙體）。作品有<a href="https://calligraphy.tw/%e4%bb%b2%e5%b0%bc%e5%a4%a2%e5%a5%a0%e5%b8%96-%e8%a1%8c%e6%9b%b8/" target="_blank" rel="noopener" title="">仲尼夢奠帖</a>、<a href="https://calligraphy.tw/%e5%8d%9c%e5%95%86%e5%b8%96-%e8%a1%8c%e6%9b%b8/" target="_blank" rel="noopener" title="">卜商帖</a>、歐書碑刻<a href="https://calligraphy.tw/%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e8%87%a8%e5%af%ab%e4%bd%9c%e5%93%81-%e4%b9%9d%e6%88%90%e5%ae%ae%e9%86%b4%e6%b3%89%e9%8a%98-%e6%a5%b7%e6%9b%b8/" target="_blank" rel="noopener" title="">九成宮醴泉銘</a>、化度寺塔銘等。</p>
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<p>仲尼夢奠，七十有二。周王九齡，具不滿百。彭祖資以導養，樊重任性，裁過盈數，終歸冥滅。無有得停住者。未有生而不老，老而不死。形歸丘墓，神還所受，痛毒辛酸，何可熟念。善惡報應，如影隨形，必不差二。</p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-仲尼夢奠帖-行書</h2>



<p>單層細緻宣紙/寬35cm*長68cm</p>


<div class="wp-block-post-date"><time datetime="2021-10-04T09:26:00+08:00">2021 年 10 月 4 日</time></div>


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<figure class="wp-block-image size-large"><a href="https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-1024x1024.jpg" alt="野夫書法臨寫作品-歐陽詢 仲尼夢奠帖" class="wp-image-2389" srcset="https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2021/09/仲尼夢奠帖-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">野夫書法臨寫作品-仲尼夢奠帖</figcaption></figure>
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</div><p>The post <a href="https://calligraphy.tw/%e4%bb%b2%e5%b0%bc%e5%a4%a2%e5%a5%a0%e5%b8%96-%e8%a1%8c%e6%9b%b8/">歐陽詢 仲尼夢奠帖-野夫書法行書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
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		<title>趙孟頫 妙嚴寺記-野夫書法楷書作品</title>
		<link>https://calligraphy.tw/%e5%a6%99%e5%9a%b4%e5%af%ba%e8%a8%98-%e6%a5%b7%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e5%25a6%2599%25e5%259a%25b4%25e5%25af%25ba%25e8%25a8%2598-%25e6%25a5%25b7%25e6%259b%25b8</link>
		
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		<pubDate>Thu, 30 Sep 2021 21:25:00 +0000</pubDate>
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		<category><![CDATA[楷書]]></category>
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					<description><![CDATA[<p>趙孟頫 妙嚴寺記-野夫書法楷書臨寫作品，妙嚴寺記是趙孟頫中晚年楷書成熟之作，筆勢圓勁流麗，結體端莊秀美，趙孟頫字子昂，號松雪道人，別號鷗波、水精宮道人等，原本為宋朝的貴族後元代官員、書畫家，趙孟頫、高克恭、李衎與商琦，並稱元初四大家，趙孟頫書法藝術水平很高，也是學習“趙體”書法的良好範本。</p>
<p>The post <a href="https://calligraphy.tw/%e5%a6%99%e5%9a%b4%e5%af%ba%e8%a8%98-%e6%a5%b7%e6%9b%b8/">趙孟頫 妙嚴寺記-野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">趙孟頫 妙嚴寺記 介紹</h2>



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<p class="has-drop-cap has-medium-font-size" style="line-height:2"><strong>妙嚴寺記</strong> 又稱《<strong>湖州妙嚴寺記</strong>》，牟巘撰文，是元代書法家-<span style="text-decoration: underline;"><strong>趙孟頫</strong></span> 書並<strong>篆</strong>額，原件紙本橫卷，寫在烏絲欄白紙上，字大寸余，除題額外及文首名稱，撰文、書文人名不計，全文84行，每行9個字，共756字，現藏美國普林斯頓大學美術館。<strong>妙嚴寺記</strong>是<span style="text-decoration: underline;">趙孟頫</span>中晚年<strong>楷書</strong>成熟之作，筆勢圓勁流麗，結體端莊秀美，<span style="text-decoration: underline;">明代</span>書家<span style="text-decoration: underline;">姚綬</span>在此卷題跋中稱道：『右《<strong>湖州妙嚴寺記</strong>》一通，蓋趙文敏公墨跡，端雅而有雄逸之氣。』<strong> </strong>， 是後人學些 &#8220;趙體” 的最佳範本。</p>



<p class="has-medium-font-size" style="line-height:2"><strong><span style="text-decoration: underline;"><mark style="background-color:rgba(0, 0, 0, 0)" class="has-inline-color has-black-color"><a href="https://calligraphy.tw/tag/%e8%b6%99%e5%ad%9f%e9%a0%ab/" target="_blank" rel="noopener" title="">趙孟頫</a></mark></span></strong>（1254年－1322年），字子昂，號<strong><span style="text-decoration: underline;">松雪道人</span></strong>，別號<strong>鷗波</strong>、<strong>水精宮道人</strong>等，元代官員，書畫家、<strong>書法家</strong>，<strong><span style="text-decoration: underline;"><mark style="background-color:rgba(0, 0, 0, 0)" class="has-inline-color has-black-color"><a href="https://calligraphy.tw/tag/%e8%b6%99%e5%ad%9f%e9%a0%ab/" target="_blank" rel="noopener" title="">趙孟頫</a></mark></span></strong>以<strong>行書</strong>、<strong>楷書</strong>最為著名，在詩、書、畫、印上皆有很高造詣。 書法史上以<strong>楷書</strong>著稱「<strong>楷書四大家</strong>」為<span style="text-decoration: underline;">唐</span>朝<strong><span style="text-decoration: underline;"><a href="https://calligraphy.tw/tag/%e6%ad%90%e9%99%bd%e8%a9%a2/" target="_blank" rel="noopener" title="">歐陽詢</a></span></strong>（歐體）、<span style="text-decoration: underline;">唐</span>朝<strong><span style="text-decoration: underline;"><a href="https://calligraphy.tw/tag/%e9%a1%8f%e7%9c%9f%e5%8d%bf/">顏真卿</a></span></strong>（顏體）、<span style="text-decoration: underline;">唐</span>朝<strong><span style="text-decoration: underline;"><a href="http://calligraphy.tw/tag/柳公權/" target="_blank" rel="noopener" title="">柳公權</a></span></strong>（柳體）、<span style="text-decoration: underline;">元</span>朝<span style="text-decoration: underline;"><strong><a href="https://calligraphy.tw/tag/趙孟頫/" target="_blank" rel="noopener" title="">趙孟頫</a></strong></span>（趙體），著名書法作品有《<a href="https://calligraphy.tw/%e5%be%8c%e8%b5%a4%e5%a3%81%e8%b3%a6-%e8%b6%99%e5%ad%9f%e9%a0%ab%e8%a1%8c%e6%9b%b8/">赤壁賦</a>》、《<a href="https://calligraphy.tw/%e5%a6%99%e5%9a%b4%e5%af%ba%e8%a8%98-%e6%a5%b7%e6%9b%b8/">妙嚴寺記</a>》、《<a href="https://calligraphy.tw/趙孟頫洛神賦-楷行/">洛神賦</a>》、《玄妙觀重修三門記》等。詩作有<a href="https://calligraphy.tw/?p=4135" target="_blank" rel="noopener" title="">《秀石疏林圖》題畫詩</a>、《東城》等作品。</p>
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<h3 class="has-text-align-center wp-block-heading">  趙孟頫 妙嚴寺記</h3>



<p>湖州妙嚴寺記前朝奉大夫大理少卿牟巘撰</p>



<p>中順大夫揚州路泰州尹兼勸農事趙孟頫 妙嚴寺本名東際，距吳興郡城七十里，而近曰徐林。東接烏戌，南對涵山，西傍洪澤，北臨洪城，映帶清流而離絕囂塵，誠一方勝境也。先是，宋嘉熙（南宋理宗趙昀年號，公元1237-1240年）間，是庵信上人於焉創始，結茅為廬舍，板行華嚴、法華、宗鏡諸大部經。適雙徑佛智偃溪，聞禪師飛錫至止，遂以妙嚴易東際之名，深有旨哉。其徒古山、道安，同志合慮，募緣建前後殿堂，翼以兩廡，莊嚴佛像，置《大藏經》,琅函貝牒，布互森羅。念里民之遺骨無所於藏，遂浚蓮池以歸之。寶祐（南宋理宗趙昀年號，公元1253-1258年）丁巳（公元1257年），是庵既化，安公繼之。安素受知趙忠惠公維持翊助，給部符為甲乙流傳，朱殿院應元實為之記，中更世故，劫火洞然。安公乃聚凡礫，掃煨燼，一新舊觀。至元（元世祖忽必烈年號，公元1271-1294年）間，兩詣闕廷，凡申陳皆為法門。及刊大藏經板，悉滿所願。安公之將北行也，以院事勤重付囑如寧，後果示寂於燕之大延壽寺。蓋一念明了，洞視死生，不間毫髮。寧履踐真實，追述前志，再庋（音軌，放置，保存）一大藏，命眾翻閱。創圓覺期，會建僧堂圓通殿以安像，設備極殊。壬辰（公元1292年），受法旨升院為寺，扁今額焉。繼寧者，如妙。重辟三門兩廡庖湢（音碧，浴室）等屋。繼如妙者，如渭。幻十八開士於後殿兩廂，金碧眴耀。復增置良田，架洪鐘。繼如渭者，明照。方將竭□（廣字頭下上下結構，上左豐右欠，下足）作興，未幾而逝。眾以明倫繼之。乃能力承弘願，大闡前規，重新佛殿，建毗盧千佛閣及方丈。凡寺之諸役，皆汔於成。</p>



<p>顧未有以記也，都事明秀狀其事，因余友文心之來求余記。若夫檀施之名氏，創建之歲月，載於碑陰。聞能仁氏集無邊開士於七處，九會演唱雜花，以世主妙嚴冠於品目之首者，良有以也。余老於儒業，獨未暇備，殫其蘊奧，以理約之。世主即佛心也，妙嚴乃佛心中所現之事相也。今重重邃宇，廣博殊麗，苟非佛心所現，孰能有是哉？使推廣此心一切時中，饒益有情，大作佛事，則上鄰日月，下絕空輪，皆所謂妙莊嚴域者也。不則，吾何取焉乃為說偈：<br>妙莊嚴域與世殊，非意所造離精粗。<br>佛心幻出真范模，清淨宛若摩尼珠。<br>光明洞洞含十虛，殿堂樓閣並廊廡。<br>天人降下黃金都，地神捧出青芙蕖。<br>萬善萬德均開敷，廣推祖道充寰區。<br>警發品類空泥途，曰福曰壽資皇圖。<br>尚何爾佛並吾儒，世出世異惟道俱。<br>功侔造化超有無，其不爾者胡為乎？</p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-妙嚴寺記-楷書</h2>



<p>宣紙/寬35cm*長140cm</p>


<div class="wp-block-post-date"><time datetime="2021-10-01T05:25:00+08:00">2021 年 10 月 1 日</time></div>


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<figure class="wp-block-image size-large"><a href="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-1024x1024.jpg" alt="野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書" class="wp-image-2362" srcset="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記01-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書</figcaption></figure>



<figure class="wp-block-image size-large"><a href="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-1024x1024.jpg" alt="野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書" class="wp-image-2360" srcset="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記02-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書</figcaption></figure>



<figure class="wp-block-image size-large"><a href="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-scaled.jpg"><img decoding="async" loading="lazy" width="1024" height="1024" src="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-1024x1024.jpg" alt="野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書" class="wp-image-2361" srcset="https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-1024x1024.jpg 1024w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-scaled-100x100.jpg 100w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-300x300.jpg 300w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-150x150.jpg 150w, https://calligraphy.tw/wp-content/uploads/2021/09/妙嚴寺記03-768x768.jpg 768w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption">野夫書法臨寫作品-趙孟頫 妙嚴寺記-楷書</figcaption></figure>
</figure>
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</div><p>The post <a href="https://calligraphy.tw/%e5%a6%99%e5%9a%b4%e5%af%ba%e8%a8%98-%e6%a5%b7%e6%9b%b8/">趙孟頫 妙嚴寺記-野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
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		<title>顏真卿 竹山堂連句-野夫書法楷書作品</title>
		<link>https://calligraphy.tw/%e7%ab%b9%e5%b1%b1%e5%a0%82%e9%80%a3%e5%8f%a5-%e6%a5%b7%e6%9b%b8/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=%25e7%25ab%25b9%25e5%25b1%25b1%25e5%25a0%2582%25e9%2580%25a3%25e5%258f%25a5-%25e6%25a5%25b7%25e6%259b%25b8</link>
		
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		<pubDate>Mon, 27 Sep 2021 09:32:00 +0000</pubDate>
				<category><![CDATA[書法]]></category>
		<category><![CDATA[楷書]]></category>
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		<category><![CDATA[顏真卿]]></category>
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					<description><![CDATA[<p>野夫書法臨寫作品-竹山堂連句(楷書)，竹山堂連句(楷書)又稱竹山潘氏堂聯句，顏真卿時任湖州刺史的在朋友潘述家的“竹山堂”中與部屬李萼、陸羽、釋皎然、陸士修、韋介等人聚會飲宴，席間吟詩，每人依次各作兩句，相聯成篇，是為《竹山堂連句》。顏真卿唐朝政治家、書法家，與歐陽詢、柳公權、趙孟頫並稱「楷書四大家」。</p>
<p>The post <a href="https://calligraphy.tw/%e7%ab%b9%e5%b1%b1%e5%a0%82%e9%80%a3%e5%8f%a5-%e6%a5%b7%e6%9b%b8/">顏真卿 竹山堂連句-野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">顏真卿 竹山堂連句介紹</h2>



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<p class="has-drop-cap has-medium-font-size" style="line-height:2"><strong>竹山堂連句</strong> 又稱<span style="text-decoration: underline;"><strong>竹山潘氏堂聯句</strong></span>，<span style="text-decoration: underline;">顏真卿</span>時任湖州刺史的在朋友潘述家的“竹山堂”中與部屬李萼、<span style="text-decoration: underline;">陸羽</span>、<span style="text-decoration: underline;">釋皎然</span>、<span style="text-decoration: underline;">陸士修</span>、<span style="text-decoration: underline;">韋介</span>等人聚會飲宴，席間吟詩，每人依次各作兩句，相聯成篇，是為《<strong>竹山堂連句</strong>》。然而，這部帖的真偽有爭議。</p>



<p class="has-medium-font-size" style="line-height:2"><strong>顏真卿</strong>（709年－785年），字清臣，祖籍山東臨沂，別號應方，後世尊稱<span style="text-decoration: underline;">顏魯公</span>、<span style="text-decoration: underline;">顏平原</span>。<span style="text-decoration: underline;"><strong>唐朝</strong></span>政治家、<strong>書法</strong>家。與唐朝<strong>歐陽詢</strong>（歐體）、唐朝<strong><a href="http://calligraphy.tw/tag/柳公權/">柳公權</a></strong>（柳體）、元朝<strong><a href="https://calligraphy.tw/tag/趙孟頫/">趙孟頫</a></strong>（趙體）並稱「<strong>楷書四大家</strong>」。<strong><span style="text-decoration: underline;">顏真卿</span></strong>書法遒勁有力，人稱「<strong>顏體</strong>」。作品有<a href="https://calligraphy.tw/%e5%a4%a7%e5%94%90%e4%b8%ad%e8%88%88%e9%a0%8c-%e8%b3%88%e6%99%af%e5%be%b7%e6%a5%b7%e6%9b%b8/" target="_blank" rel="noopener" title="">大唐中興頌</a>、<span style="text-decoration: underline;">祭姪文稿</span>等<strong>書法</strong>作品。其中<span style="text-decoration: underline;">祭姪文稿</span>為天下有三大<strong>行書</strong>之一，祭姪文稿真跡被譽為「在世顏體第一」。</p>
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<h3 class="has-text-align-center wp-block-heading">顏真卿 竹山堂連句</h3>



<p>竹山連句題潘書 光祿大夫行湖州刺史魯郡公 顏真卿叙并書 竹山招隱處，潘子讀書堂（真卿）。萬卷皆成袠，千竿不作行（處士陸羽）。練容飡沆瀣，濯足詠滄浪（前殿中侍御史廣漢李萼）。守道心自樂，下帷名益彰（前梁縣尉河東裴修）。風來似秋興，花發勝河陽（推官會稽康造）。支策曉雲近，援琴春日長（評事范陽湯清河）。水田聊學稼，野圃試條桑（釋皎然）。巾折定因雨，履穿寧為霜（河南陸士修）。解衣垂蕙帶，拂席坐藜床（河南房夔）。檐宇馴輕翼，簪裾染眾芳（顏粲）。草生還近砌，藤長稍依牆（顏顓）。魚樂憐清淺，禽閑憙頡行（顏須）。空園種桃李，遠墅下牛羊（京兆韋介）。讀易三時罷，圍碁百事忘（洛陽丞趙郡李觀）。境幽神自王，道在器猶藏（詹事司旦河南房益）。晝歠山僧茗，宵傳野客觴（河東柳淡）。遙峯對枕席，麗藻映縑缃（永穆丞顏峴）。偶得幽棲地，無心學鄭鄉（述上）。會大曆九秊春三月。</p>
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<h2 class="wp-block-heading">野夫書法臨寫作品-竹山堂連句(楷書)</h2>



<p>宣紙/寬35cm*長140cm</p>


<div class="wp-block-post-date"><time datetime="2021-09-27T17:32:00+08:00">2021 年 9 月 27 日</time></div>


<div class="wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular"><div class="tiled-gallery__gallery"><div class="tiled-gallery__row"><div class="tiled-gallery__col" style="flex-basis:52.43156%"><figure class="tiled-gallery__item"><img decoding="async" srcset="https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A501-1024x1024.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A501-1024x1024.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A501-1024x1024.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A501-1024x1024.jpg?strip=info&#038;w=1500&#038;ssl=1 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srcset="https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=600&#038;ssl=1 600w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=900&#038;ssl=1 900w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=1200&#038;ssl=1 1200w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=1500&#038;ssl=1 1500w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=1800&#038;ssl=1 1800w,https://i1.wp.com/calligraphy.tw/wp-content/uploads/2021/09/%E7%AB%B9%E5%B1%B1%E5%A0%82%E9%80%A3%E5%8F%A502-1024x1024.jpg?strip=info&#038;w=2000&#038;ssl=1 2000w" alt="野夫書法-練寫竹山堂連句" 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