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		<title>鄭板橋 題畫詩 -野夫書法楷書作品</title>
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					<description><![CDATA[<p>鄭板橋 竹石 -野夫書法楷書作品， 竹石 是清代畫家"鄭板橋"作的作品，這些都是畫竹石的題詩。鄭燮 (鄭板橋)畫竹相當有名。竹子因其正直，堅韌剛毅長青，被稱為「花中四君子」之一，備受青睞。鄭燮字克柔，號板橋、板橋道人，清朝官員、學者、書畫家，擅長畫竹。鄭燮板橋為「揚州八怪」之一，其詩、書、畫被世人稱為「三絕」。</p>
<p>The post <a href="https://calligraphy.tw/%e9%84%ad%e6%9d%bf%e6%a9%8b-%e7%ab%b9%e7%9f%b3-%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e6%a5%b7%e6%9b%b8%e4%bd%9c%e5%93%81/">鄭板橋 題畫詩 -野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></description>
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<h2 class="wp-block-heading">鄭板橋 竹石 題畫詩 介紹</h2>



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<p class="has-drop-cap has-text-align-justify has-medium-font-size" style="line-height:2"><strong>竹石</strong> 是<span style="text-decoration: underline;">清</span>代畫家&#8221;<strong><span style="text-decoration: underline;">鄭板橋</span></strong>&#8220;作的作品，這些都是畫<strong>竹石</strong>的題詩。<strong><span style="text-decoration: underline;">鄭燮</span></strong> (<strong><span style="text-decoration: underline;">鄭板橋</span></strong>)畫竹相當有名。竹子因其正直，堅韌剛毅長青，被稱為「花中四君子」之一，備受文人、畫家青睞。竹石(淡煙古墨縱橫)這篇題畫詩主要是讚美竹子的高風亮節。竹石(咬定青山不放鬆)這篇題畫詩主要讚美石縫中的竹子堅韌剛毅品格。竹石(十笏茅齋)這篇題畫詩主要說十笏茅草蓋的書齋賞竹比起名山大川竹景更加有意境味道。竹石(余家有茅屋二間)這篇題畫詩主要說鄭燮家有草房二間南面種有竹子，夏天竹子景象及由竹影啓發而畫出來的。衙齋臥聽蕭蕭竹 這篇題畫詩出自清代鄭燮的《濰縣署中畫竹呈年伯包大中丞括 / 墨竹圖題詩》，表達對百姓疾苦的關切之情。</p>



<p class="has-medium-font-size" style="line-height:2"><strong><span style="text-decoration: underline;">鄭燮</span></strong>（1693年11月22日—1766年1月22日），字克柔，號板橋、板橋道人，江蘇省淮揚海道揚州府興化縣（今江蘇省泰州市興化市大垛鎮）人，祖籍蘇州閶門，清朝官員、學者、書畫家，擅長畫竹。<strong><span style="text-decoration: underline;">鄭燮</span></strong>（板橋）為「揚州八怪」之一，其詩、書、畫被世人稱為「三絕」。</p>
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<h3 class="wp-block-heading has-text-align-center"><strong>鄭板橋 竹石 題畫詩</strong></h3>



<p class="has-text-align-center">淡煙古墨縱橫，寫出此君半面，<br>不須日報平安，高節清風曾見。</p>



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<p class="has-text-align-center">咬定青山不放鬆，立根原在破岩中；<br>千磨萬擊還堅勁，任爾東西南北風。</p>



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<p class="has-text-align-center">十笏茅齋，一方天井，修竹數竿，石筍數尺，其地無多，其費亦無多。<br>而風中雨中有聲，日中月中有影，詩中酒中有情，閒中悶中有伴，非唯我愛竹石，而竹石亦愛我也。彼千金萬金造亭，或遊宦四方，終其身不能歸享。<br>而吾輩欲游名山大川，又一時不得即往，何如一室小景，有情有味，歷久彌新乎？<br>籌此畫構此境難？斂之則退藏於密，亦復放之可彌六合也。</p>



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<p class="has-text-align-center">余家有茅屋二間，南面種竹。<br>夏日新篁初放，綠陰照人。置一小榻，其間甚涼適也。<br>秋冬之際，取圍屏骨子，斷去兩頭，橫安以為窗欞。<br>用勻薄潔白之紙糊之。風和日暖，凍蠅觸窗，紙上冬冬作小聲。<br>於時一片竹光亂，豈非天然圖畫乎。凡吾作畫，無所師承，<br>多得於紙窗粉壁、日光月影中耳。</p>



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<p class="has-text-align-center">揚州鮮芛趁鰣魚，爛煮春風三月初。分付廚人休斫盡，清光留此照攤書。</p>



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<p class="has-text-align-center">四十年來畫竹枝<br>日間揮寫夜間思<br>冗繁削盡留清瘦<br>畫到生時是熟時</p>



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<p class="has-text-align-center">衙齋臥聽蕭蕭竹，疑是民間疾苦聲。<br>些小吾曹州縣吏，一枝一葉總關情。</p>



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<p>—版權聲明—<br>介紹內文為彙整網路開放資料<br>版權歸原創者所有，若侵權請聯繫後台刪除</p>



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<h2 class="wp-block-heading">野夫書法作品-書鄭板橋 竹石題詩</h2>



<p>宣紙</p>


<div class="wp-block-post-date"><time datetime="2023-05-04T09:18:00+08:00">2023 年 5 月 4 日</time></div>


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<p></p><p>The post <a href="https://calligraphy.tw/%e9%84%ad%e6%9d%bf%e6%a9%8b-%e7%ab%b9%e7%9f%b3-%e9%87%8e%e5%a4%ab%e6%9b%b8%e6%b3%95%e6%a5%b7%e6%9b%b8%e4%bd%9c%e5%93%81/">鄭板橋 題畫詩 -野夫書法楷書作品</a> first appeared on <a href="https://calligraphy.tw">野夫書法</a>.</p>]]></content:encoded>
					
		
		
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